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Are you looking for The Sea Beast review? The Sea Beast, the latest film from Big Hero 6 director Chris Williams, takes place in a magical realm full of monsters and monster hunters. With captivating animation, exciting set pieces, and a message that audiences of all ages need to hear, this animated film is nothing short of a treat.
In the opening scene of the movie, we see the legendary hunters – superhuman combatants who take down the enormous sea monsters. The Inevitable, captained by Captain Crow (Jared Harris), his first mate Sarah Sharpe (Marianne Jean-Baptiste), and renowned hunter Jacob Holland, is the best hunting ship (voiced by Karl Urban).
The most terrifying of all the marine creatures are being sought after, the Red Bluster.
Because the Red Bluster stole one of Captain Crow’s eyes, he is seeking severe retaliation.
When a young girl named Maisie Brumble (voiced by Zaris-Angel Hator) stows on their ship in search of her own glory, this risky mission is made even more challenging.
However, what begins as a search for a fabled creature swiftly transforms into a powerful denunciation of intolerance and false information.
The Sea Beast review – a massive maritime adventure
The Sea Beast, which is essentially a kaiju movie with tall ships, is massive in size, and it’s impossible not to be awed. The crew of the Inevitable engages a creature known as a Brickleback in one breathtaking fighting scene. The Inevitable is threatened by tentacles, cannon fire, and a sincere fear that the Brickleback will rip it apart.
Monster battles are just the beginning of The Sea Beast’s vast scope (which are all spectacular). Instead, it encompasses the several settings that we witness during the movie: A grand palace, a green island, and the ocean itself.
Even when a fictional creature threatens our protagonists, the animation team thoroughly submerges us in this imaginary world, making us hold our breath in fear.
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Jacob and Maisie
Let’s talk about Jacob and Maisie while we’re talking about those heroes. Jacob is initially irritated by Maisie’s attempts to join the crew of the Inevitable, so they get off to a rocky start. The two of them must cooperate to get home after becoming separated from the ship.
The Sea Beast dwells a little too long on the “gruff guy and smart child” relationship, but once Jacob and Maisie set out on their voyage, it rapidly transitions into a touching tale of a family that was lost.
They acquire fresh knowledge about marine animals like the Red Bluster along the journey, knowledge that compels them to alter their worldview. Maisie makes an effort to comprehend the animals, despite the fact that she is an orphan as a result of the monsters.
Jacob, who has spent years hunting monsters, takes a little longer to change his mind. A younger generation moving an older one toward a more welcoming viewpoint is poignantly demonstrated in this situation.
The Sea Beast’s straightforward treatment of its message – that just because you were raised to believe something, doesn’t mean it’s true – is one of its greatest strengths. If you’re prepared to listen and keep an open mind, you might pick up some knowledge that changes your perspective for the better.
The fact that the moral is presented alongside thrilling tall ship combat and breathtaking ocean vistas makes it even better. You’ll want to see this journey, I assure you of that.
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The Sea Beast review – What do the Creators say?
Production designer Matthias Lechner adds, “We looked at a lot of action films, like Peter Weir’s Master and Commander, for the reality of living aboard a tall ship, and there was a lot of traditional art that we used as inspiration.”
“When I arrived, Chris had many of N. C. Wyeth’s paintings on his wall, and I was absolutely blown away by the way he drew clouds and sails. I really wanted to attempt to give our movie the look of old, rich colors in natural settings. We set out to strike the ideal balance between a realistic aesthetic and maintaining the charm and enjoyment of older animation films.”
Williams understood they were making an ambitious movie, but he was comforted by the knowledge that Sony Pictures Imageworks would be handling the effects. Williams’ work on Moana had shown him that “even a handful of ropes can be a major task.”
“We were aware that they were one of the few studios capable of undertaking something of this scale”, he adds. “They had demonstrated their abilities in numerous earlier films. Although Spider-Verse certainly has a completely different aesthetic from what we were striving for, if they could accomplish that, we knew they could accomplish our goals.”
“We discussed shows and films that helped you feel as though you were living in the world you were seeing, such as Game of Thrones and The Lord of the Rings. We realized that a huge part of the experience of viewing the movie would be living in a universe that took itself seriously, so that’s what we wanted to do.”
In terms of narrative novelty, the inclusion of the juvenile stowaway Maisie Brumble (Zaris-Angel Hator), an orphaned Black child, expands the rules of the typical maritime adventure by adding a thematic richness. While the persona itself makes for a compelling dramatic element, as producer Schlanger notes, the filmmakers were really fortunate to land Hator to play her.
As he explains, “With Maisie, we were attempting to develop a character who’s clever, determined, and strong, but is also an actual child – someone who’s questioning fundamental aspects in her life and her thinking. Therefore, it has an extremely complex arc. When we first met Zaris, she gave us hints as to what Maisie might turn out to be.”
“Then, when we got into the recording process with her, we understood that we were working with an actress who was intelligent beyond her years. The rich approach Zaris was able to create for this character really made them compelling. Zaris was able to uncover those layers and keep them sincere and authentic despite her power and vulnerability.”
Williams and Schlanger had to deal with the story’s huge scope and intricacy in addition to juggling a lot of virtual ropes and making sure that small elements like the metal loops on the backs of the hunters’ belts were accurate.
The writers had their work cut out for them trying to keep track of everything and maintain continuity and flow between battles with monsters, private moments between Maisie and Jacob, and a huge bar scene with 300 people.
Schlanger exclaims, “This movie is so complicated. We want the viewers to feel practically breathless and on the edge of their seats throughout the entire movie because there are so many things going on at once.”
“As a result, you should feel as though you hit those points and those moments on the mark before letting the story carry you to the next beat without making it appear out of this world.”
This is another reversal. Here’s another development for our characters. One of the toughest problems in the movie was simply keeping the world alive as we progressed through the plot.
Williams explains that as the filmmaker, “I really had to maintain my eye on the speed and the atmosphere in this enormous expansive plot.” “Because we had these tremendous spikes of action,” the author explains, “where I really wanted to go all the way. But then it was necessary to pull it down, and have these quiet moments and really let them breathe a bit.”
Williams and Schlanger confronted a different kind of difficulty outside the movie’s fictional universe. Having previously worked within the well-integrated studio structure – Williams at Disney and Schlanger at DreamWorks – it took some getting used to putting together a team and adjusting to the more fluid atmosphere of Netflix Animation.
Williams explains, “I basically just worked at one place for about 25 years, so it was a big learning experience.”
“And I frequently collaborated with the same individuals over the course of several films and years. I left on friendly terms and still maintain close relationships with my friends there, but I was worried that if I stayed put, I may grow stale. I believe it’s beneficial to switch things up and place oneself in an unpleasant circumstance.”
“At first, it was simply me organizing a large group of individuals. And I came to understand that one of my major tasks was making everyone feel at ease with one another while also letting them know that we needed to be honest with one another and push one another in order to create the same kind of camaraderie I experienced at Disney.”
Schlanger claims, “At Netflix, we basically created everything from the ground up. As a result, Netflix served as the home of our art department, story team, editorial team, and previsualization team.
“After that, Sony received all of the blueprints that we had developed through story, previs, and artwork. Because you’re used to a different method of working, it was initially a little intimidating.”
“However, we had a lot of faith in Imageworks, and when they began to view the reels, their enthusiasm really increased, and we felt like we were on the same page. So, it never had a really remote feeling. We had a strong sense of unity as a team.”
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Conclusion – The Sea Beast review
Above is The Sea Beast review. From the busy metropolis to the seething sea, the animation on this Netflix original film meets the same high standards as its Disney and DreamWorks competitors. The sea monsters themselves are magnificent, with features that range from imposing and frightful to charming and silly.
Williams brilliantly communicates the awe-inspiring enormity of the giant monsters as they pass under boats or rise up to strike. Maisie meets a tiny sea monster she names Blue and treats like a dog, who appears tailor-made for soft toys.
The action scenes have just enough tension to make it seem as though the characters are actually endangering their lives, while nevertheless ensuring that the heroes always narrowly avoid any serious harm.
Adult audiences expecting a more serious fantasy action film may find that a little disappointing, but The Sea Beast skillfully strikes a balance between its cuter scenes and the occasional big set pieces.
Williams evidently gained a lot of experience during his time at Disney, and he uses all of it to make The Sea Beast a recognizable yet still satisfying animated film for families.
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